Disciplan Plan for Kindergarten Coursework Example | Topics and Well Written Essays - 2000 words

Disciplan Plan for Kindergarten - Coursework Example No matter how much planning goes into the curriculum, relationship building, and student assessment, it all stands useless if the classroom is inefficiently managed. However, rewards and punishment policy is focused upon the development of a child’s extrinsic motivation but his or her intrinsic motivation is negatively affected especially at the kindergarten level of education. Rewards and punishment power base used by a teacher might help in implementing discipline in the classroom for the short term but since intrinsic motivation is not developing, a seemingly well-behaved child would tend to deviate from his conduct in the absence of the opportunity of rewards. Although this strategy is most effective amongst the primary level of kindergarten level education, the child’s self-development and inherent nature are hampered. Hence one needs to combine this with some other strategies in order to formulate a discipline plan ideally suited for the inherent development of th e child studying in the kindergarten. For instance referent power base demanding the complete involvement of the teacher might be well suited to this level of education system. Hence one or more of such approaches or power system might be implemented. A collaborative strategy might be put into effect where the control lies partly in the hands of the teacher and partly with the students. This is a collaboration of student-directed as well as teacher-directed approach. There are four power bases and three management theories, which need to be selectively chosen from in order to implement a discipline plan for a classroom. The four power bases are referent power, legitimate power, expert power and reward/punishment. The theories are student directed or non-interventionist, teacher-directed or interventionist and collaborative.  Ã‚  

Huffman Trucking system Inventory Essay Example for Free

Huffman Trucking system Inventory Essay Material System Inventory Select and complete one of the following assignments: Option 1: Virtual Organization System Inventory Option 1: Virtual Organization System Inventory Select one of the following Virtual Organizations: Smith Systems Consulting Huffman Trucking Kudler Fine Foods Complete the following chart, filling in information for each system used at that Virtual Organization. Add rows to the chart as necessary. System Name Brief Description Department to Use the System Purpose of the System Connects With Development Details Corporate Intranet This system supports the Business Infrastructure consisting of 72 clients with 15 printers and 1 plotter. The phone system is a Voice over Internet Protocol (VOIP) with 68 stations throughout the company. Executive offices, Marketing, Sales Dept. , HR, Accounting departments This system allows the company to communicate, run the business, update HR information and accounting Full mesh WAN, running an OC-2 encryption, fiber based dedicated VPN- Ohio Office, Remote Administration, Remote IT operations, Remote Trucking Operations, Hub facilities in Cleveland, OH, Los Angeles, CA, St. Louis, MO, Bayonne, NJ Huffman Trucking is a native of Cleveland Oh. and was founded in 1936. The growth of the company was due to the WWII and the demand for carriers services from the factories to the ports. Mission statement: To be a profitable, growing, adaptive company in an intensively competitive logistical services business environment. Vision Statement: To be a model company to our stockholders, employees, customers and all stakeholders. System Name Brief Description Department to Use the System Purpose of the System Connects With Development Details SAP ERP This system supports the financial systems that are used in the accounting department, inventory management, HR, CRM, Accounting, HR, Trucking operations Allows the corporation to record the financial aspects, Human Resources, Benefits, trucking operations Corporate Intranet Huffman employees over 1,350 personnel, supports over 800 road tractors, 2,100 trailers and 260 â€Å"roll on/off units. This system can adapt to a medium to large corporate infrastructure and meet all financial needs as well. 50 KVS A UPS This is the backup power supply for the corporations computer mainframe, servers Corporation IT Operations To provide power to the IT operations in event of a power outage, failure Corporation Network This system can be updated to support a larger network if needed and additional or larger UPS systems can be installed. Trucking Operations: MTC Fleet Maintenance Pro 12 The MTC Fleet maintenance keeps the corporation with a schedule of maintenance, and repairs for the individual vehicles Trucking operations To keep a schedule of maintenance for all corporate vehicles, Corporation Network This system allows the company to track and conduct the preventive maintenance for the 800 plus tractors and additional equipment at an interval of 25,000 miles. SW Package for MTC Fleet Maintenance Used for management of the warehouses Warehouses Allows the company to keep track of the inventory at any given time or place Corporation Network Motorola MC 9090-C RFID / Bar code scanner system Used for tracking the location of all vehicles owned by the corporation Operations employees Allows the company to keep the inventory up to date for parts Satellite locator and monitoring comm. ystem SW package for traffic management Traffic management Truck drivers Allows the company to track the trucks and to assign bar codes to the Motorola 2 way radios Satellite locator and monitoring comm. System, Motorola VC 6096 Network Backup system Used for backup of all computer systems configurations and information Administration and IT department Allows the company to restore their records and transa ctions performed on a daily basis Corporation Network System Name Brief Description Department to Use the System Purpose of the System Connects With Development Details

“Our Top Story”: Analysis of News Conventions in the NBC Nightly News E

News broadcasts have been a staple in the lives of many long before the invention of the television. As technology changed, the place of the newscaster shifted from the radio to the television screen. These earliest years of television news did not adhere to the same conventions as the modern newscast. Moving from radio to television as the major source of broadcast news brought on new challenges. In order to do so, networks were forced to experiment with how stories and new anchors would be presented to their television audiences (Conway, 2007). Newscasters who were once popular among audiences could no longer be certain that this popularity would remain. Audiences who had once been captivated by the voice of an unseen man being transmitted over the airwaves were beginning to lose interest watching a man, eyes down, reading prepared lines from a card (Conway, 2007). It became apparent that the format so often used for radio newscast would no longer be sufficient when applies to a visual medium like television. As years went by, television networks began trying new ways to captivate their audiences once more. In this early period of news broadcasting many of today’s familiar conventions would be developed often times through experimentation. The use of graphics, video footage, images and other visual aids to the anchor on set were all developed in some of the earliest years of television news (Conway, 2007). These developments could then be employed as supplementary additions to the anchors delivery of the news and give the audience something more to view on their screen. The use of visual aids allowed for newscasts to features instances â€Å"where the newscaster appeared on camera, other times his voice guided the viewer ... ...asey, N., Calvert, B., French, L., & Lewis, J. (2008). Television studies: The key concepts. (2 ed., pp. 183-189). New York, NY: Routledge. Conway, M. (2007). A guest in our living room: The television newscaster before the rise of the dominant anchor. Journal of Broadcasting & Electronic Media, 51(3), 457-478. Engstrom, E., & Ferri, A. J. (1998). From barriers to challenges: Career perceptions of women tv anchors. Journalism & Mass Communication Quarterly , 75(4), 789-802. NBC news (producer). (2013, February 8). NBC nightly news [video file]. Retrieved from http://www.youtube.com/watch?v=p1LS7zthsHc NBC news (producer). (2013, February 22). NBC nightly news [video file]. Retrieved from http://www.youtube.com/watch?v=X1sEkQj2jWc NBC news (producer). (2013, September 30). NBC nightly news [video file]. Retrieved from http://www.youtube.com/watch?v=kT_Pl7LjVow

Customer Service Essay

As a highly motivated and energetic person, I was excited to learn of your company’s opening for an Assistant Manager. In reviewing my resume, you will find that I possess all the attributes your are seeking, gained in over six years of hands-on progressive experience. A perfect match for your needs. You seek someone with motivational and leadership skills. I propelled my career to become the top Senior Sales Consultant for a fortune 500 company that serves 90 stores in 25 states. While increasing the bottom line of the company using innovative techniques, I utilized strong interpersonal skills to build a solid team of personnel with a high morale. Exceptional Customer Service has been demonstrated by my ability to manage customer’s needs while applying operations knowledge by implementing aggressive sales plans with a cutting edge technique, of particular value to your industry. A team player with the ability to work effectively with others, I developed training techniques that provided win-win results – Through a product-awareness program employees received intensive training, while customer’s benefited from well-informed and confident customer service personnel. For your convenience, I have kept this letter short. I can make an immediate and valuable contribution to In-Game Support Entertainment and look forward to meeting you where we can discuss in more detail your needs and my qualifications.

Joseph Campbell: The Power of Myth

Hardness Questions: The Power of Myth Chapters 1-3 1. Myth reveals spiritual truth about the world. Why read myths? You need myths to find your truth. You have elaborate myths to compare to everyday experiences and to other myths. â€Å"Myths give a meaning to life (Campbell, 5). Mythology is a collection of stories based on one's knowledge and stories of experience. Myths are clues to life meaning. They are clues to â€Å"spiritual potentialities† or your potential to develop spiritually and finding your inner self.For example, marriage creates a transformation In us spiritually because It transforms our perspective of ourselves and our ability to sacrifice. 2. Do people ultimately seek knowledge or experience? In your opinion which is more Important In the 21st century? People ultimately seek experience. They believe seeking experience is their true meaning of life. They want something to remember and something to live for and at the same time we do this to resonate from ou r Inner self because from experience we gain knowledge.This could be a reason many of the 21st century go towards their quest for experience and not knowledge. . What is Campbell definition of â€Å"consciousness†? How does this consciousness define the role of mythology In our world? Campbell says that consciousness is something that the mind uses to guide you to a certain direction or towards a set of purposes. Consciousness is all your thoughts at a deeper level and your awareness or perception of your surroundings. Your consciousness depends on your level of energy that leads us to higher level consciousness. What leads you to these levels of consciousness?Myth. Mythology transforms your consciousness on a deeper level and to a higher spiritual level. You can not develop your consciousness without mythology 4. How does the modern Western world relate to myths? The modern world developments are myths. The example of machines is a prime relation (Campbell, 24) but they tend to take over our idea of what's true. The modern world has rejecting myths and everything about them including the fact that nature surrounds the whole concept. Modern world has a mindset that everything Is about you, which rejects mythology spiritual messages. How do we live without myths and why does Campbell claim that America is moving too quickly to become mythologies? Are these two concepts related? When you live without myths you have to figure out life by yourself. That is why America is moving too quickly to be mythologies. As Campbell would say we are focused on â€Å"news of the day' and â€Å"problems of the hour† (Campbell, 1). We lose connection to the meaning to culture and the knowledge of life. These concepts are related because it explains America's slow self-destruction without myths. Chapter 2 1 .Why do myths reflect what we know inside is true? How do myths then help us with â€Å"the public dream? Myths reflect what inside is true because we all come from the same place we go through similar life experiences. We all grow and develop. Myth also comes from our dreams. Campbell describes dream by saying, â€Å"†¦.. A dream that talks about permanent conditions within your own psyche as they relate to the temporal conditions of your life right now. † (Campbell, 47). Your dreams truly reflect your inner self and are Just spiritual information about yourself. Your dreams are myths, personal myths.The Public dream is society without its corrupt ways and its lack of mythological knowledge. Myth helps correct this because it is society dream and it unites society. That one place is having a dream and when you are on the correct path you are finding your reason and your inner self. . Why are the world's creation stories so similar? The world's creation stories are so similar because of the similar environment and the basic experiences of birth, growth, temptations, and death. This creates a sense of curiosity where we ask â₠¬Å"how? † and â€Å"why? † and some record their thoughts.These records reflect mythical reality. The same concept of nothing, paradise, and distance from the creator. Cultures like Christianity, Sari tribes of West Africa, and the Pimp Indians. 3. What is a metaphor and how does it operate in religion? How does metaphor assist one with the â€Å"Journey inward†? A metaphor is a comparison that suggests something else. In religion, Campbell says that the metaphors used are not literal. It was a metaphor and in his definition metaphors are not to be taken literally. Myths are written in a way to be discovered and unknown so it is able to awaken your inner self.It is deeper that what most people have been interpreting it as. People may believe that Campbell was undermining Christianity when he said Jesus never really ascended into heaven when in fact he was Just cracking the code. It was a metaphor. Society problem is that we don't use connotation to interpret meta phors and myths, but use denotation. . How do myths help us to connect to the spiritual world? Myths and religion share the same qualities. Myths help connect to the spiritual world. â€Å"The myth is for spiritual instruction† (Campbell, 59). Myths help us relate to other spiritual reticence.Campbell uses the example to reincarnation and now it ties into other concepts of religion also, â€Å"†¦. Dimensions of your being and a potential for realization and consciousness that are not included with the concept of yourself. † (Campbell,70). In religion, you come out a new person spiritually because of experience Just like in myth. 5. Why is good and evil promoted in mythology? Discuss the purpose of good and evil in your response. Good and evil are promoted in mythology because of duality and characteristics of life. Many have come to a closed, biased mindset that everything should be good and nothing should be evil.Some people's idea of evil could be another's idea of good. There is no true definition of â€Å"good† and what is â€Å"evil† because we all contribute to it when we live life. We do need evil without evil there is no duality. They must coincide with one another. Chapter 3 1 . What do our souls owe to ancient myths? Myths from ancient times help with transcendence and understanding our fears and yeastier of life. It complements the mind and body on a track controlled by nature because we tend to become astray as we venture through life. Ancient times have the same human development as today.We grow up being taught certain things and how to be dependent then as we grow older we have to transcend into maturity and learn to become independent. Campbell says, â€Å"†¦. Myth has to serve both aims, that of inducting a young person into the life of his world-that's the function of the folk idea- then disengaging him. † (Campbell, 87). Myths open up ideas that lead up to your inner life. Ancient myths also give us rituals. This gives us a larger idea of life instead of what we see it as. It helps us understand the mysteries greater than us.How are men and women initiated into adulthood differently? Once initiated, is there room in modern society for negotiation of responsibility? Men are to be put into manhood automatically and must learn how to provide, seek, and act as society tells them to be. Man is formed by society. Women on the other hand give life, they are life. As Campbell says, â€Å"the girl becomes a woman with her first menstruation† (Campbell, 104). He says this to point out that woman is formed by nature. I think man has to work for their manhood while woman Just become a woman by control of nature.The woman gives and nurses without effort, while man has to work for his greater being. 2. How has religious instruction become â€Å"obsolete† to many people today? (focus on idea of ritual) Rituals help people grow and develop into appropriate individuals in socie ty. Today they have been ostracizes and are not followed correctly. As Campbell says it perfectly it is now â€Å"dumped down† and â€Å"lacks of substance† (Campbell, 104). Myths help us understand things that are more prominent than ourselves. We must enders an the overall picture bettor we truly understand ourselves.

50+ Book Marketing Ideas to CRUSH Your Book Launch

50+ Book Marketing Ideas to CRUSH Your Book Launch 50 Book Marketing Ideas Every Author Needs to Know No matter what kind of book you’re writing, all self-publishing authors will eventually reach the same question: what’s the best way to market  it? The great news is that you’re not the first indie author to face this challenge. By following in the footsteps of those who have succeeded before you, you can create a focused and effective plan that will get people snatching up your masterpiece.In this post, we offer up dozens of book marketing ideas that you can steal for your own promotional efforts. Not only that, it features a free book marketing checklist that you can print out and treasure forever! Read now: 50 Marketing Tips Every Author Needs to Know Without further ado, here is your list of book marketing ideas:Identifying your audience You’ve probably heard a variation of this before: If you’re selling to everyone, then you’re really selling to no-one. You need to nail down your target reader before you start marketing your book (or even better, before you start writing it).1. Build a proto-persona If you have any other ideas for book marketing, drop them in the comments below and we'll add them to the list!

A Writer’s Identity - Freewrite Store

A Writer’s Identity - Freewrite Store This is a guest post by Rebecca A. Demarest. Rebecca is an award-winning book designer, author, and technical illustrator living in Seattle, WA with her bacon-sharing husband and a temperamental cat named Cat. Her novel,Less Than Charming, is available for pre-order through March 15th on Indiegogo, and will be launching from Parkhurst Brothers Publishing, Inc. on May 1st 2016. For more information on her work, please visit her website. Several years ago, as we were getting ready for bed, my (now ex-) boyfriend turned to me with: â€Å"You know, since you keep putting off working on your novel, I’m going to have to start introducing you as a publisher instead of a writer.† Instinctively, I corrected him. â€Å"Illustrator, not publisher.† That’s what I did all day- I drew diagrams for computer programs at a tech publisher. Even though I automatically corrected his title gaffe, it cut me to the quick that he no longer considered me a writer. But I knew he was right; that part of my identity seemed to have started slipping away sometime after obtaining my MFA. I had immersed myself in several rounds of editing on my novel nà ©e thesis and after all the work I had done editing and revising and rewriting, I finally sent out the query letters, but the response I was hoping for never came. It was a good experience for me as several agents gave me useful feedback instead of form rejections, but it was also depressing, because they all pointed out a major flaw that none of my previous readers had even touched on. Apparently, though they all adored the setting and the story, they just could not connect with my main character as he was presented to them at the beginning of the manuscript and I had no idea how to go about fixing that fact.   Under the pretext of trying to figure out how to fix my novel, I stopped writing. I’m a very methodical writer and I spend a lot of time planning before I begin, so it seemed logical to me to take a step back to analyze what I had and what was missing. I shelved the novel and moved forward with the rest of my life while I contemplated the changes. At first it was just the novel itself that went untouched. Then it was my blog. I had started the blog for two reasons: to force myself into creating new fiction once a week, and to praise or rant about books that I had been reading so my friends didn’t have to hear me talk about them over and over. But then life and my health got in the way and I was running around trying to get everything done and diagnosed before work, after work, during work and my self-motivated, deadline-free writing took the hit. I stopped writing anything. So, after an evening of hanging out with his friends, he said to me, â€Å"You know, if you keep putting off working on your novel, I’m going to have to start introducing you as a publisher instead of a writer.† It hurt because he was questioning my identity, but even more so because I was afraid he was right. I knew I needed to start the next round of revisions on the novel. I knew I needed to create some fresh fiction and get back into the habit of writing every day. I knew all of this had to happen if I was going to progress and succeed, but never in a thousand years had I imagined myself as anything but a writer. Even when I wasn’t actively writing, I still considered myself a writer, not an illustrator. I had been a writer when I was five and wrote my first story: â€Å"How a Butterfly got its Colors.† I ceased being a writer for exactly four months in college when I wanted to be a psychologist because I found it fascinating and thought I could make a decent living. Then a creative writing course I took cured me of my desire to make money and revived my craving to write. Maybe someday I’ll go back to psychology and look into a fascinating field called Narrative Therapies, but, for today, all I truly want to do is put words on the page and bring wonder and emotion to readers. This then, I decided, is what it meant to be a successful writer: to put words on the page. It does not mean you put 500 words into your novel every day, no excuses, no breaks. No, it means that when the story grabs you and demands your attention, you listen, and you give it an outlet. Sometimes I go a couple months without creating new fiction, but in the meantime I am working on promotional materials, querying materials, submission applications, graphic designs for my stories, or looking for new readers. There is more to being a writer than your daily word count, or even your monthly word count. Some (very few) people are blessed to be able to be full time writers, but they are rare. Most of us must be content with fitting in a few hours here or there over a coffee while we wait for a meeting with the boss at our day-jobs, or late at night during NaNoWriMo when we feel like we’re connected to the whole world writing together. And it can pay off. All of those stolen moments and pages, all those times where I put down the computer and despaired of being able to drag new words out of my skull, working around day-jobs and freelancing and health concerns, I can stand in front of you today and say â€Å"I am a writer,† and believe it to my core. Because I chose to reject his definition of being a writer and have embraced my own, I have brought two books to the market, I have had several short stories in journals and anthologies, including one that was featured on NPR, and I have a novel coming out with a traditional publisher this summer, all because I didn’t let someone else define me. I chose to believe I was a writer no matter what else was happening in my life, and that made all of it possible. A Writer’s Identity - Freewrite Store This is a guest post by Rebecca A. Demarest. Rebecca is an award-winning book designer, author, and technical illustrator living in Seattle, WA with her bacon-sharing husband and a temperamental cat named Cat. Her novel,Less Than Charming, is available for pre-order through March 15th on Indiegogo, and will be launching from Parkhurst Brothers Publishing, Inc. on May 1st 2016. For more information on her work, please visit her website. Several years ago, as we were getting ready for bed, my (now ex-) boyfriend turned to me with: â€Å"You know, since you keep putting off working on your novel, I’m going to have to start introducing you as a publisher instead of a writer.† Instinctively, I corrected him. â€Å"Illustrator, not publisher.† That’s what I did all day- I drew diagrams for computer programs at a tech publisher. Even though I automatically corrected his title gaffe, it cut me to the quick that he no longer considered me a writer. But I knew he was right; that part of my identity seemed to have started slipping away sometime after obtaining my MFA. I had immersed myself in several rounds of editing on my novel nà ©e thesis and after all the work I had done editing and revising and rewriting, I finally sent out the query letters, but the response I was hoping for never came. It was a good experience for me as several agents gave me useful feedback instead of form rejections, but it was also depressing, because they all pointed out a major flaw that none of my previous readers had even touched on. Apparently, though they all adored the setting and the story, they just could not connect with my main character as he was presented to them at the beginning of the manuscript and I had no idea how to go about fixing that fact.   Under the pretext of trying to figure out how to fix my novel, I stopped writing. I’m a very methodical writer and I spend a lot of time planning before I begin, so it seemed logical to me to take a step back to analyze what I had and what was missing. I shelved the novel and moved forward with the rest of my life while I contemplated the changes. At first it was just the novel itself that went untouched. Then it was my blog. I had started the blog for two reasons: to force myself into creating new fiction once a week, and to praise or rant about books that I had been reading so my friends didn’t have to hear me talk about them over and over. But then life and my health got in the way and I was running around trying to get everything done and diagnosed before work, after work, during work and my self-motivated, deadline-free writing took the hit. I stopped writing anything. So, after an evening of hanging out with his friends, he said to me, â€Å"You know, if you keep putting off working on your novel, I’m going to have to start introducing you as a publisher instead of a writer.† It hurt because he was questioning my identity, but even more so because I was afraid he was right. I knew I needed to start the next round of revisions on the novel. I knew I needed to create some fresh fiction and get back into the habit of writing every day. I knew all of this had to happen if I was going to progress and succeed, but never in a thousand years had I imagined myself as anything but a writer. Even when I wasn’t actively writing, I still considered myself a writer, not an illustrator. I had been a writer when I was five and wrote my first story: â€Å"How a Butterfly got its Colors.† I ceased being a writer for exactly four months in college when I wanted to be a psychologist because I found it fascinating and thought I could make a decent living. Then a creative writing course I took cured me of my desire to make money and revived my craving to write. Maybe someday I’ll go back to psychology and look into a fascinating field called Narrative Therapies, but, for today, all I truly want to do is put words on the page and bring wonder and emotion to readers. This then, I decided, is what it meant to be a successful writer: to put words on the page. It does not mean you put 500 words into your novel every day, no excuses, no breaks. No, it means that when the story grabs you and demands your attention, you listen, and you give it an outlet. Sometimes I go a couple months without creating new fiction, but in the meantime I am working on promotional materials, querying materials, submission applications, graphic designs for my stories, or looking for new readers. There is more to being a writer than your daily word count, or even your monthly word count. Some (very few) people are blessed to be able to be full time writers, but they are rare. Most of us must be content with fitting in a few hours here or there over a coffee while we wait for a meeting with the boss at our day-jobs, or late at night during NaNoWriMo when we feel like we’re connected to the whole world writing together. And it can pay off. All of those stolen moments and pages, all those times where I put down the computer and despaired of being able to drag new words out of my skull, working around day-jobs and freelancing and health concerns, I can stand in front of you today and say â€Å"I am a writer,† and believe it to my core. Because I chose to reject his definition of being a writer and have embraced my own, I have brought two books to the market, I have had several short stories in journals and anthologies, including one that was featured on NPR, and I have a novel coming out with a traditional publisher this summer, all because I didn’t let someone else define me. I chose to believe I was a writer no matter what else was happening in my life, and that made all of it possible.